Strange, but again unsatisfying

It starts by concentrating on two faces, for the first few minutes we only see Marziyeh  filming herself talking to camera, then we cut to Behnaz's face for a few minutes as she is in Jafari's car heading north and they are discussing the video.

It then opens out to more conventional shots as they get near the village, but the people they encounter seem alien to my western eyes and their motives and meanings are unclear. As the truth about Marziyeh unfolds through her family and friend, Maedeh (?), we see an ancient self contained community living in what seem tumbledown homes and the incipient conflict between the pressure of the modern and the rock of community and culture.

In the end Marziyeh does 'escape' with Behnaz and Jafari - but isn't she escaping to a more gilded and less substantial cage? Perhaps this is the meaning of the unseen third face of the old pre-revolution actress who has retired to live alone and isolated in the village and who has befriended Marizyeh..

Luckily its not too long

Really nothing much happens. We just see some days in the life of an old man living independently and some of the people around who support him despite his slightly cantankerous nature.

I guess the yanks like it as a portrait of rugged individualism persisting until ner the end of life. Its unrealistic and tedious.